Flying House is taking off to Baton Rouge, Louisiana!!

The 2013 gallery event and reading will take place on October 19th at Frameworks Gallery. Apply now at www.ourflyinghouse.com and be a part of something great!

FLYING HOUSE IS TOMORROW!!

Illustration by J. Paonessa

...And we've been giving teasers all week on our facebook page. Check us out (and "like" us while you're there).

Not a facebooker? Not a problem. Here's our facebook-free invitation just for you.

Celebrate collaborations by:

CD Mitchell & Jennifer Moore
Katherine Zlabek & Vanessa Palacio
Heather Momyer & Cleveland Dean
Tyler Gillespie & Jyl Bonaguro
Luke Geddes & Melanie Larson
Richard Thomas & Christina Loraine

Find more information about these writers and artists here.

Saturday. August 25th. 2012. Maes Studio. Be there!

Get a Deal! Buy a Ticket to Flying House

...and then bring your ticket to Vivo for 1/2 price drinks on the day of the show, or 25% off your meal that night, or any night thereafter. Vivo is right around the corner from Maes Studio -- Enjoy yourself!

Illustration by J. Paonessa

View Flying House invitation here. 

Buy your ticket to the show here. 

Richard Thomas & Endings

Flying Houser, Richard Thomas, has a new column up at the Lit Reactor: "Storyville: Endings, Twisted and Otherwise." 

Check him out!

Jennifer Moore

Check out Flying Houser, Jennifer Moore, this Friday night at the Urban Transmission exhibit -- then come see her even awesomer stuff at Flying House on Saturday!

Cleveland Dean Featured in American Artist Magazine

read more here.

Jennifer Moore's Photography Gettin' Noticed

"Blasphemy Rules the World in White Dresses,"
photo by Jennifer Moore 

BAS-Relief, a blogger in support of the Chicago art community, recently stumbled upon one of Jennifer Moore's photographs at the Zhou B Art Center. He writes:

"I wasn't sure what I was walking into, but I was arrested by this digital print by Jennifer Moore, Blasphemy Rules the World in White Dresses.  The print is luminous, with an ethereal glow exuding from the white clad figure.  A soft focus on the edges brings the work into a beautiful dream-like state.  While many may find the piece haunting, the woman behind the skull, there is something very serene about the work in person."

Read more here.